i am moving

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(springtime is the perfect time to purge and i am consolidating all my blogs into the new one listed above. come visit me there. we'll sit. do tea tastings. pick out swatches of wallpaper.)

joy comes in small packages

i needed to drop off clean pans at my house before driving to the mission to study, so i double parked in front of my house. across the street, i couldn't believe my luck, there was a woman and her son playing badminton. across the street from my house. i got so excited i couldn't focus on the tasks at hand, instead yelling out, "wow, you're playing badminton."

my love affair with badminton... i remember being in a slum in india talking to its residents about their culture and their lives and before we wrapped up the interview i said i had one final question in a very serious tone, "do you play badminton?" i love the guys who wear the knee braces and sports accoutrements showing, yes, they mean business on the badminton court, the ones who also grunt and make painful cries in hopes of hitting the zingers and clearing them out. this just reiterates i need to get back into the groove of playing at the community center! so it seems every time i see people playing badminton, the six year old in me leaps out of my mouth as i try to suppress all limbs from jumping into someone else's game.

and so it was no surprise that the woman gave me a quizzical look, a "yes" and resumed batting around the shuttlecock. i took the pans inside and walked back out, commenting to the badminton duo that if i saw them playing again, i might be forced to come join their game since i have a racket in the garage. "you live across the street?" and her face softened (i know my enthusiasm sometimes is a bit arresting when it presents itself)

she (natalie) then held out her racket to me and said, "so you play?"

there, on that sidewalk in my flouncy cupcake skirt, i got into proper badminton form and hit it to her son andrew whose eyes grew wide in surprise as i leapt forward to catch the birdie before it settled in a tree. a few more volleys back and forth and i convinced myself to give the nice neighbor back her racket and get off to the coffeehouse to study. we all waved at each other as i sped off with my roommate and one of our friends in tow. nice to meet the neighbors under such fun circumstances.

well. crap.

packet number two is almost done. for the second time, i read a poem aloud to a group of around 25 sunday night.

so here's tonight's question: why do we hurt one another? i mean the intentional and the unintentional digs. would this go back to our human nature post-eden thanks to adam and eve or is this a God question. does God hurt God? good friday would seem to point to yes, but that kind of hurt involves a deeper magic unknown to the whole lot of us or maybe it doesn't. it involves staying true to a promise and commitment and seeing it through to completion. i should really be in bed, but i wanted to throw it out there before the night passes into morning.

in packet two, i read a bunch of poems hinting at war or drenched with it by the likes of robert bly and allen ginsberg commenting on viet nam. today on my way home from work, i wondered at my placidity towards iraq- not emanating from a salivating-hate-mongering space that has so adeptly seduced the area in which i live, but from a bush-lied-about-weapons-of-mass-destruction space. plain and simple. lied. and yet the war of words and the flexing of ultimatum muscle between president and congress today smacks of kindergarten.

so maybe this is getting away from the main point, but why do we hurt one another?

phoenix rising

in an email sent out last week, we learned that the faculty person nominated for the program by her colleagues had chosen to accept the position, now also extended by the administration. the weight of the words from the week before had been rescinded! we joyfully continued the analysis of poems aplenty. and i await what will be borne from the ashes left behind from the fires that looked to burn forest, field and stars.

below was my last ditch pitch sent out march 26th when all seemed most bleak and dire.


*************************************************************

Hello Ms. xxxxx,

I have been writing poetry for a long time and never really foresaw it enveloping me on such a large scale before last year. Having worked in the business community for almost five years, I believe I understand what makes a good business work and can make a good business fail. Good communication and organization, such small but crucial elements can make or break a company. When I began the arduous process of looking for the right school, I made color charts of pros and cons, along with an entire list of faculty at each school, dedicating myself to researching them to ascertain who I wanted to learn from and why. The asterisks and highlights flew all over my list of current xxxxx faculty. What you have with this core faculty is a camaraderie that extends down into the student body and leaves little room for power distance between teacher and student. I had such a sense of this before attending my first residency and was not disappointed.

As a first year student, we all shared with each other especially how on graduation night, we had truly landed in the right community where each of our different gifts could be nurtured and grown. Today, I felt the first pangs of disillusionment about the whole messy affair. Deep down, I want to believe this is mendable. And I still believe, along with the whole lot of us that it is. The thing here is that I could have chosen another school- we all could have, but we chose this one and we are still here, hanging on by a thread.

And the thing is I want to study about narrative poetry under xxxxx. I want to understand how xxxxx can so innovatively make form enjoyable to my non-trained ear. I want to hear xxxxx sing before he opens up a reading or reach down and find the right anecdote to set up the poem he's about to read. I want to learn from xxxxx how to show and not tell in my poems and then chat about our similar backgrounds in journalism during the tea break. I want to listen to xxxxx moving readings of his work that bring tears to my eyes. I want to learn how to dissect a poem into multiple parts the way xxxx skillfully does. I want to experience more of xxxxx poetic energy first hand and then eat a grilled cheese sandwich next to her for dinner. I want to learn how to tighten and pare down my thoughts from xxxxx and hear more of his most current collected quotes. I am thrilled that I have xxxxx as my mentor this semester- she is truly one of the reasons I found the pull so forceful to come to this school.

These are things that cannot be replaced. These people cannot be replaced.

Please reconsider the rotating directorship beginning with the representative voted in unanimously by the faculty. This seems a good checks and balance system through which self-governance can maintain itself. If they thrive, so does the program and school. They do not want to fail in this endeavor- they believe in it too much, which has been evidenced in last week's blanket resignation. Please allow them the opportunity to give it a go and allow the students a voice in this seemingly powerless situation.

Please consider the mediation suggestion put forth by xxxx as a viable path- it may be expensive, but more so would be the cost of losing an entire program that is unique unto itself in the United States. I don't have to be in school to be a poet, but it has thoroughly turned my world upside down and I voraciously want to find reconciliation to restore a modicum of what we, the first years experienced during our first residency. It is still not too late to mend things. It takes great courage to proceed down the harder path, but this is a path worth the effort. The smattering of current MFA students and many alums' emails point to this. Please everyone- faculty and administration- reconsider.

Respectfully,
a.z.